I’ve been thinking of seeing I Follow the Sun at Artipelag since the summer. Was hoping that Ingrid would find time to join me, but she’s been working at least one day every weekend, so I ended up going on my own.
This was my first time at Artipelag. With a new museum, you never know what you’ll get. I came fully prepared for a small provincial art show with a couple of big-name works padded out with unknowns, and was blow away by the whole exhibition. I’ve really been missing out!

The exhibition was a lot larger than I had hoped for. There were works of Fernand Léger, Emil Nolde, Carl Larsson, Ai Weiwei, etc, and beautiful works of contemporary Nordic artists. No actual Van Goghs, which is understandable. I read in the book accompanying the exhibition that the concept for the exhibition had started years ago with the idea of borrowing Van Gogh’s paintings, but withered away when it turned out to be impossible. The museum staff pivoted and made something different happen instead.
But his paintings are the quintessential images of sunflowers, impossible to avoid. They’re on jigsaw puzzles, mouse pads, mugs, aprons, shopping bags, towels, and everything else you can imagine. I wonder what he would say about how his works have been used.

And he was here as well, in the shape of Vik Muniz’s works. He has recreated Van Gogh’s works with pieces of coloured paper. You’re looking at a digital copy of my photo of a print of a photo of a recreation of a painting. How many layers of indirection is that?

There were very soft, romantic sunflowers, and harsh, stylized sunflowers. (Clara Gesang-Gottoft and Tal R.)
There were works by artists who have made sunflowers their “thing”, and by others who have said that flowers are the worst thing you could possibly paint but then couldn’t help themselves after all.

There were sunflowers carrying a heavy load of symbolism, and sunflowers reduced to abstract shapes. (Carl Larsson and Fernand Léger.)
There were colourist sunflowers and pointillist sunflowers and naïve sunflowers.

I loved these simple ink paintings by Anna Bjerger.

There were also photographs. What struck me about those was their timelessness. A photograph of a sunflower from 1920 is mostly indistinguishable from one taken in 2020.























