I saw this dance performance together with Eric already several weeks ago. Jotting down my notes here for future me before the impressions fade too far away.
Six independent duets by six different choreographers. The whole thing was supposed to be performed in Oslo but there was some sort of strike there so it was moved to Stockholm with short notice. Lucky us to get tickets.
1. Sasha Waltz, Impromptus. Male/female. Technically beautiful but not very interesting. Lovely piano music by Schubert.
2. Emma Portner, Islands. Female/female, with the two dancers wearing a single set of four-legged loose trousers. They moved sometimes like twins, sometimes like mirror images, and sometimes my brain literally interpreted them as a single body with an unclear number of legs and arms. Very cool. Somewhat disappointing that they disconnected from each other towards the end.

3. Mats Ek, Julia & Romeo. Male/female. An excerpt from a longer narrative ballet. Energetic and playful and loving, but it felt a bit misplaced without the rest of the story.
4. Chrystal Pite, Animation. Male/female. The man’s movements start out broken, as if he doesn’t have full control over his body. The woman supports and guides. (Even so I clearly felt that he is the main dancer, not she.) As time passes, he becomes more “normal” and his body more “whole”. Something something love heals all ills? Too bad, because I found this message rather clichéd and his normal movements towards the end much less interesting.

5. Jiří Kylián, 14’20”. Male/female. I have no particular memories of this piece.
6. Ohad Naharin, B/Olero. Female/female. Bold, angular, energetic, cool. Great finale for the evening.
Photo credits: Islands © unknown because the page has been removed from www.operan.no; I got the photo from Google’s cache. Animation © Eric Berg.