One of my birthday presents this year was a ticket to see Bortbytingen (“The changeling”) at Dramaten with Ingrid.

The play was based on a short story by Selma Lagerlöf, who is one of my favourite non-sci-fi writers, and one of a very few Swedish writers I like.

A human child was taken by trolls and a troll child left in its place. The troll has grown up with humans, hated and despised by all of them. The mother, too, hates and despises it and longs for her own baby, soft and pink and beautiful, but still feels some responsibility for the ugly thing and cannot bring herself to stop taking care of it, much less kill it. It’s breaking her and her husband and their marriage.

The troll meanwhile is as unhappy as its “parents”. How much should it suppress its nature to fit in? How much of an effort should it make to drink the nauseating milk and eat the disgusting bread? Would it be better to leave the “mother” he loves and see if he fits in better with the trolls in the dark, scary forest?

I loved all parts of this play. The story, the small venue, the minimalist stage design, the simple acting, the folk songs woven into it. I’ve often found Swedish theatre performances overly dramatic and been disappointed in the quality of the acting. This play was truly a pleasant surprise.

Notes for the future:
Written by Sara Bergmark Elfgren, directed by Tobias Theorell. Actors I liked: Maia Hansson Bergqvist, Maria Salomaa.